Jacqueline Kennedy Onassis Quotes

Jacqueline Kennedy Onassis  (full name Jacqueline Lee Bouvier Kennedy Onassis and often called Jackie Kennedy when she was First Lady) brought a youthful elegance to the White House during her tenure there. Briefly a photographer before her marriage to John F. Kennedy, and an editor after she was widowed for the second time when Aristotle Onassis died, she was mother to John F. Kennedy, Jr., and Caroline Kennedy (Schlossberg). Onassis was born in 1929 to the wealthy Bouvier family. She studied French literature at George Washington University before starting her photography career. Like many women, she left her career behind to marry her first husband, John F. Kennedy, and became one of the most iconic First Ladies during his presidency. She remarried in 1968, five years after Kennedys assassination, and remained married to shipping magnate Aristotle Onassis until his 1975 death. After her second husbands death, she returned to her professional career, becoming a book editor, first at Viking Press, then at Doubleday. She also advocated for historic preservation and was lightly involved in Democratic politics in her later years. Throughout her life, she was looked upon as a style icon, and still is to this day. In 1994, she died aged 64 of non-Hodgkin lymphoma. Quotes About Marriage and Family †¢ If you bungle raising your children, I dont think whatever else you do well matters very much. †¢ There are many little ways to enlarge your childs world. Love of books is the best of all. †¢ Ill be a wife and mother first, then First Lady. †¢ What is sad for women of my generation is that they werent supposed to work if they had families. What were they going to do when the children are grown - watch the raindrops coming down the window pane? †¢ The one thing I do not want to be called is First Lady. It sounds like a saddle horse. †¢ Can anyone understand how it is to have lived in the White House and then, suddenly, to be living alone as the Presidents widow? (1974, in McCalls) †¢ Now, I think that I should have known that [Kennedy] was magic all along. I did know it - but I should have guessed that it would be too much to ask to grow old with and see our children grow up together. So now, he is a legend when he would have preferred to be a man. †¢ I dont think there are any men who are faithful to their wives. †¢ The first time you marry for love, the second for money, and the third for companionship. †¢ I think the best thing I can do is to be a distraction. A husband lives and breathes his work all day long. If he comes home to more table thumping, how can the poor man ever relax? Quotes About Career †¢ An Editor becomes kind of your mother. You expect love and encouragement from an Editor. (while Editor at Doubleday) †¢ Being a reporter seems a ticket out to the world. †¢ When Harvard men say they have graduated from Radcliffe, then weve made it. †¢ I always wanted to be some kind of writer or newspaper reporter. But after college... I did other things. Quotes About Life †¢ Even though people may be well known, they hold in their hearts the emotions of a simple person for the moments that are the most important of those we know on earth: birth, marriage and death. †¢ I want to live my life, not record it. †¢ There are two kinds of women: those who want power in the world, and those who want power in bed. †¢ Being away from home gave me the chance to look at myself with a jaundiced eye. I learned not to be ashamed of a real hunger for knowledge, something I had always tried to hide, and I came home glad to start in here again with a love for Europe that I am afraid will never leave me.

The Strengths And Weaknesses Of Henry VIII 1509-1515 Essay

The Strengths And Weaknesses Of Henry VIII 1509-1515 There are many differing views of Henry VIII, some people see him as a scholar and others as a jovial and merry king. Each of these opinions views different characteristics of Henry VIII that contributed to his strengths and weaknesses. Henry, when he succeeded the throne had several problems that he had to address. There was also much expectation of him as his father had been viewed as a miser and a repressor and people saw the need for dramatic change. Ian Dawson says that at the change of monarch there was a sense of breaking free from imprisonment so much was the relief of Henry VIII s succession. One of the most obvious strengths†¦show more content†¦This shows how much his allegiance was valued on the continent. Also helping his foreign policy was after much debate of who he would marry the marriage of his brothers widow Catherine of Aragon and himself. This helped secure ties with the Spanish. His sister Mary was married to the king of France in 1514. Henry had no intention of giving the nobles back power so another strength he had was that he was an all-powerful figure. Prof. Ronald Hutton says he managed the nobility by honouring and flattering them. Henry went through Parliament to get reforms when he wanted them. By doing this he increased power of democracy as well as for himself. The early years of Henrys reign saw great rivalry amongst the noblemen to secure Henrys favour and to try to regain power, which Henry VII had taken away. They saw the opportunity of manipulating the new king into restoring what they had had. Henry was a dominating person which helped him fit into a kingly image, he was much taller than was average at the time and was muscular too giving the idea of him being strong. He was always trying to impress people, particularly foreign ambassadors, chiefly by his lavish court and rich life style. Dawson says he would play the part of a warrior hero. He did this by war and leading his troops to battle in France. Also he was seen as a scholar and an intellectual that was a side ofShow MoreRelatedIn the context of the years 1485 to 1603 to what extent was the government of England dysfunctional in the mid-Tudor period?3559 Words   |  15 Pagesthought that the years between 1547 and 1558 were ones of crisis. With the succession of a child and the first woman within England, people have assumed that the years between Henry VIII and Elizabeth I were an unproductive interlude. The mid Tudor period is seen as negative years within the Tudor Dynasty. It is regarded that Henry VIII an d Elizabeth I’s reputations were a factor in why historians such as A.F Pollard and S T Bindoff supported the ‘Mid Tudor Crisis’ . The ‘two little Tudors’, referring

Indian Overview Fashion Dress Free Essays

string(64) " by women at the Ragout courts; it was also adopted by dancers\." Harpoon statues, which have been dated to approximately 3000 b. C. E. We will write a custom essay sample on Indian Overview Fashion Dress or any similar topic only for you Order Now , depict the garments worn by the most ancient Indians. A Priestley bearded man is shown wearing a toggling robe that leaves the right shoulder and arm bare; on his forearm is an armlet, and on his head is a coronet with a central circular decoration. The robe appears to be printed or, more likely, embroidered or applique ©d in a trefoil pattern. The trefoil motifs have holes at the centers of the three circles, suggesting that stone or colored faience may have been embedded there. Harpoon female figures are scantily clad. A naked female with heavy bangles on one arm, thought to represent a dancer, could have been a votive figure that would have been dressed (also in a toggling garment, leaving the decorated arm uncovered) for ritual use, a custom observed throughout India in the early twenty-first century. Other excavated female figurines wear miniskirts, necklaces, and elaborate headdresses. The skirts are fastened either by sashes or beaded girdles, which continued to be used in later times. One figure wears a short cloak leaving the breasts bare. A fan-shaped headdress is seen on statues of both sexes. Male figures appear to wear a neck scarf hat may be an early angstrom, a traditional scarf still used in the early twenty- first century. However, the Harpoon scarves are shown held by a brooch and could be signs of office. The Vivid period has traditionally been associated with the Aryans and their entry into India around 2000 b. C. E. , though this date has been disputed, as it has been learned that Central Asian tribes had been moving into northern India and beyond from very early times. The Vivid hymns refer to the Indus Valleys famous cotton and Gander’s wool and dyed fabrics. The Kampala, or blanket, appears to have been used by both men and women as a wrapper. The earliest Vivid hymn, the Rig Veda (ca. 2000 b. C. E. ), refers to garments as visas. A number of words are used for cloth, thus indicating a consciousness of clothing styles. Cassavas meant â€Å"well- dressed,† and savanna described a person arrayed in splendid garments. The word shrubs meant â€Å"well-fitting,† which denotes stitched garments. The god Pupas is called a â€Å"weaver of garments,† Vass viva, for it was he who fashioned different forms. A mystical quality is associated with apparel. An undressed man could not offer sacrifices to the gods?an essential aspect of Vivid life?for he would be complete only when properly dressed. The common mode of dress during the Vivid period was draping. The most important item was the nevi, which was wrapped around the waist according to the wearer’s status and tradition. Worn over this was the visas, which could be a drape, a wrap, or a Jacket (known as drape or attack). The tributary was a draped upper garment. The apartheid, or breast cover, was either wrapped around the breasts, as is still done in Tripper, or tied at the back. The attack, worn by men, was a long, close-fitting coat often India extends from the high Himalayas in the northeast to the Karakas and Hindu Cush ranges in the northwest. The major rivers?the Indus, Ganges, and Yamaha? spring from the high, snowy mountains, which were, for the area’s ancient inhabitants, the home of the gods and of purity, and where the great sages meditated. Below the Karakas range lies the beautiful valley of Kashmir; to the north of Kashmir is Lady. Although the mountains have always formed forbidding barriers, passes through them permitted the migration of a range of ethnic groups from Central Asia and beyond. These nomads?the Scythian, the Hunt, and many others?settled in North India and then penetrated further, bringing varied lifestyles, levels, ideas, and skills, as well as ways to express themselves through dress, ornaments, rituals, rites of passage, myths, deities, and spirits. The valley of the verdant Punjab, Harlan?Indian’s granary? attracted large-scale migrations from ancient times. Restaurants and parts of Ketch are in the Tar Desert, while the oldest mountain range, the Arrivals, runs from Gujarat and Restaurants to the open spaces of the Delhi ridge, which conservationists are desperately trying to save. The desert was inhabited by nomads from Central Asia who created fiefdoms in Gujarat and Restaurants in the seventh century c. . These princes had their own chivalrous traditions and legends, which bards have kept alive in their ballads into the early twenty-first century. Dress and Jewelry were elaborate, and festive celebrations occurred among both the rich and the poor. Sarasota, in Gujarat, had nearly two hundred principalities, and Gujarat, Restaurants, and Madhya Pradesh together had innumerable small and large estates, all of which were laws unto themselves. Each state would try to outdo the others in the opulence of their dress, courtly life, and celebrations. The Vanity Range divides northern from southern India. The central section consists of the Decca Plateau and its two rivers, the Goodyear and the Krishna, while the Eastern and Western Ghats are the small hills that edge the coastal areas. The Decca Plateau, which rolls down to the sea, is the land of the Dravidian people. The original inhabitants of this area were Stone Age cave dwellers whose traces have been found by archaeologists. Some descendants of these ancient people still cling to their age-old matrilineal social structure. The country varying climatic conditions have resulted in a range of textiles and manners of dress. Cultural milieu, 2 COUNTRIES OF SOUTH ASIA described as being embroidered with gold thread. Peas was a gold-embroidered or woven cloth used for making pleated skirts. It is interesting that many of these words continue to be used in slightly different forms. Attack may be cancan, a long, close- fitting coat worn by men, while pesewa may be the root of pesewa, the term for a long, flowing dress Joining skirt and upper garment and worn by women at the Ragout courts; it was also adopted by dancers. You read "Indian Overview Fashion Dress" in category "Fashion" Different turban styles are mentioned and appear also to have been worn by women to denote status. There are references in he Veda to mantles embroidered with gold thread, and proof (in a description of borders running the length of a cloth and of two borders across its width) that the dhoti, the lower wrapped garment, had already emerged during this period. The all- around border indicates that such cloth was used as a veil, a shawl, or an Odin for the upper part of the body. T Buddhist and Gain literature, especially the Steak tales, provides details about life between 642 and 320 b. . E. Descriptions of garments and fabrics forbidden to monks and mendicants are indicators of what was worn by laypersons. Cloth of bark, Balkan; fabric made from human hair, keas-Kimball; and owl feathers and deerskin were forbidden to monks, as were patterned and dyed garments. What is interesting is that the cinchona, the stitched Jacket, was also prohibited for monks and mendicants, which suggests that they could not wear stitched cloths; this is still the case among some sects in the early twenty-first century. Nuns, however, were allowed the use of bodices. The apparel worn by laypersons consisted of the antimacassar, or loincloth; the attractants, a mantle for covering the upper body; and he Sunnis, or turban. Tunics or Jackets were worn by both men and women. All items appear to have been mostly instituted, but the style of draping varied according to status, region, and taste. The dhoti could be pleated to fall in front like an elephant’s trunk or like a fan to form a sort of fish tail, as is still done by some dancers in South India. The sash known as sandbank was also intricately knotted and draped. Shoes and sandals with linings and of varying shapes, materials, and colors are also mentioned, as are padded shoes with pointed ends like scorpion stings, still made in Punjab. A study of sculptures from the Marry and Sung periods (321-72 b. C. E. ) provides a greater wealth of detail. Alongside a graphic description by the Greek ambassador to the Marry court of flowing garments worn by both men and women, and printed and woven with gold, dyed in multiple colors, and draped in a number of ways, the elaborate stone carvings at Barbet, Ashcan, and Patriarchal in the Decca give a good idea of dress forms. The Unitarian (lower-body wrap) was tied either in the middle at the waist or below the navel, and was tucked between the legs and taken to the back. Members of the upper class wore it ankle length, while the working class and peasantry wore it knee length. The Unitarian was fastened by a sash, varying from a short one tied at the waist to an elaborate one draped in many different ways. The tributary, or upper garment, was worn in a range of styles, from an elegant drape to a casual wrap. At Barbet, a representation of one of the earliest stitched garments can be seen; it has a round neck tied with tassels and also ties at the waist. Women wore the Unitarian either tucked in back or as a pleated, instituted skirt, and they also used a sash. The tutorials An embroidered backless blouse from the nomadic people of Ran of Ketch, Gujarat, India, 1994. Photograph by Asleep Domain. Of aristocratic women appear to have been very fine, with embroidered patterns and borders, and seem to have been used to cover the head. Sculpted figures wear elaborate earrings, as well as necklaces, armlets, bracelets, and belts. The Kanata was worn close to the neck, while the larger lambent carried chains, beads, and amulets. Men wore long necklaces adorned with animal heads. Girdles, armlets, and bangles were sported by women, along with rings and anklets in different forms. Some fine Marry Jewelry made with the granulation technique was discovered in Ataxia. Dating from the time of the powerful Stagehand Empire (200 b. C. E. -250 c. E. ) in southern India, the Martial caves, some of the caves at Junta, and remains at Nonjudgmental contribute to an understanding of the dress and ornamentation of this period. The Astrakhan’s came to power as the Marry Empire was on the wane; the Margins had spread from the north to the Decca, as well as to the east, influencing culture and traditions as they went. In addition, a mix of ethnic groups including Parthian, Scythian, and Greeks intermingled with the local Dravidian. Trade with Rome brought new ideas and materials and increased the level of prosperity. Stitched garments were worn by men in the form of tunics, while lower garments consisted of a range of dhotis worn in INDIA numerous ways, tucked between the legs, knee length, and tied with decorative sashes, or in a more elaborate ankle-length fashion. Stitched tunics with round or V-necks were unembellished except for a folded sash, which appears to have been worn in a range of ways and added a sense of style to these ensembles. Women do not appear to have worn stitched clothes. Their Unitarians were knotted either in the center or at the side and tightly wrapped; they appear to have been practically transparent, clearly outlining the limbs. Women did not wear turbans but dressed their hair in several styles: braided, in a chignon above the forehead (as in Kraal in the early twenty-first century), or in a bun at the nape of the neck. Jewelry, in the form of numerous bangles, long necklaces, Jeweled belts, and anklets, was elaborate. Women wore a range of Jewels on their heads such as the chiding, a tots form still worn in southern India by brides and traditional dancers. Elaborate earrings were also common. Royalty had emblems to distinguish them from commoners, including umbrellas, which were large; richly decorated with silk, gold embroidery, and applique ©; and open rather than folding as in Europe. The cheerio, or flashily, was used only for royalty or the gods. Royal standards and swords were also symbols of power, and thinned sandals appear to have been the kings prerogative. According to tradition, in the absence of the king, his sword and sandals represented him. The Khans (50-185 c. E. Ruled from the Genetic Plain to Bacteria in Central Asia. Part of the Wheezy tribe that originally had come from China, they united five tribes under their chief Kulak Shadiness. The most powerful Khans ruler was Kinshasa (78-144 c. E. ), a stone figure of whom, wearing elaborate stitched garments, can be seen at Mature. His tunic extends below his knees with a girdle at the waist. Beneath the tunic he wears a pair of pants; over it is a heavy coat with out- turned lapels. His pants are tucked into heavy boots, and he appears to be wearing spurs. Dress of this period exhibits certain stylistic transformations. The indigenous working people wore a simple, short longboat, a knee-length wrapper tucked between the legs, with a short shoulder cloth, similar to the Gambia, which had multiple functions: as a turban to protect from the sun, as a towel, and as a sack for carrying goods. Foreign attendants at court, entertainers, and soldiers wore stitched clothes, as did traders. Nomadic influence can be seen in the adoption of the long-sleeved, knee-length tunic and of a knee-length coat, chough, worn over the tunic and tied with a girdle or a buckled belt. Pants were tucked into boots, and a pointed cap was worn, apparently made of felt and of a type still used by the Shirking people of Central Asia. Women are shown in sculptures from Kandahar wearing a serialize garment that appears to have derived from the Greece-Roman tradition of drapery. Worn tucked at the back and draped over the left shoulder, this style is seen in the sculptures at Mature and resembles sari draping in the early twenty-first century. Some Ghanaian figures also have an tributary, draped over their shoulder like the shall, worn in the early twenty-first century over the sari outside the home or for some ceremonies. In some cases the sculptured figures wear blouses underneath their draped Unitarian. THE GUPPY PERIOD The Guppy Empire was a golden period of creative expression. This empire stretched across most of the north, extending to Balk in the northeast, from 400 to the mid-eighth century c. E. Stitched garments were common, and regional differences began to emerge. The fact that the Khans leaders, as well as the Asks and the Scythian, who ruled in Gujarat in western India for two hundred years, sometimes wore stitched garments indicates that such clothing was associated with royalty and high officials. Thus, it became highly prestigious. The late murals from the Junta caves provide details of colors, patterns, and drapery. Rulers depicted in court scenes appear to be wearing transparent, floating wraps and scarves, fine Jewelry, and elaborate crowns and headdresses. Stitched garments are also seen. Gold coins, some of the most exquisite artifacts from this period, show men in full Khans royal dress: coat, pants, and boots. Women in the Guppy period wore the Unitarian in many different ways. The cache style of tucking it between the legs was not very common, and a different style of wrapped Lott, very short to ankle length, was worn. The wrap gave way to a stitched skirt with an izard, or tape, tied at the waist or below it with a sash. In some cases this skirt was worn like a sarong from armpit to midnight. Ruling-class women wore longer skirts or ankle-length Unitarians, while the working class wore shorter ones. Perhaps due to Gain and Buddhist influences (nuns had been instructed to cover their breasts and wear loose garments to hide the curves of their bodies), different blouse shapes began to appear. A number of breast covers are mentioned in the literature, from ands, which raised the breasts, to schools worn with the opening at the back and an apron to cover the stomach, or blouses tied in the front, which are still worn in the early twenty’s century. Jewelry appears to have been finely worked in gold. Earrings were sandals, hoops worn together with smaller pearl earrings at the top of the ear. The karakul, or lotus flower, was another type, while the canals-sandals, tremulous earrings, swayed and twinkled with every movement. Women appear to have worn a quantity of pearls, including mutilate, a type of pearl necklace, or another magnificent necklace known as visitant, which combined pearls, rubies, emeralds, diamonds, and sapphires. The knish’s, coin necklace, was also popular and is still worn in the early twenty-first century. Armlets were used by men and women alike, sometimes in the form of a snake. Jeweled girdles suspended over the hips were provocatively draped and hung below the navel. Flowers, possibly fragrant, were used to decorate the hair and as garlands. In the Decca, the Vassals ruled in the fifth century b. C. E. , to be succeeded by the powerful Chalky kings at Bedlam in Andorra. Further south were the Plasmas of Champions and the Pandas of Madeira. The upper caste had absorbed Guppy influence, but in the interior people continued to follow traditional lifestyles. Royal men wore stitched tunics; sculptures from this time attest to the use of sleeved blouses among women. However, traditional draped and wrapped clothing for both men and women continued to be the norm. Turbans were worn by men, especially royalty, but never by women, nor are there depictions of women covering their heads. Even in the early twenty-first century, head covering by women in South India is associated with widowhood. According to Motif Chancre, the lexical of the seventh century c. E. Provide a range of information about dress of this period. In fact, the very existence of such sources is a sign that the terminology COUNTRIES OF SOUTH ASIA and Turks, as well as from the Arabs, led to the introduction of Islam. Along with these groups came Suffix mystics with their emphasis on egalitarianism. Because they reached out to the people, their influence spread widely. The urban centers of the Islamic world were closely interlinked, and the tradition of having ateliers attached to Islamic courts from Spain to Syria was intended in India, resulting in a major change in lifestyles and fashion. With the founding of the Mammal dynasty by Quit-du-din Bake at Delhi in 1206, the Sultanate period began. In the early fourteenth century, Muhammad bin Thought established the dare al-tiara, court ateliers as described by the famous traveler Bin Batista. The historian Bin Fade Allah al-‘Mari (1301-1348) mentions that a tiara factory employed four thousand silk weavers and four thousand brocade weavers, whose production was made into robes of honor, kilts, and robes, saw, for the sultan, his family, and his favorite courtiers. Emir Kruse Delilah, the great savant and poet, wrote that the clothing worn by kings and noblemen followed contemporary Persian fashion. AAA-‘Mari further observed that linen garments imported from Alexandria and â€Å"the land of Russians† were very fine and that only persons permitted by the ruler to do so could wear them. He also mentioned garments made in the style of Baghdad and described gold-embroidered robes. Sleeves were embroidered with tiara. Thus there appears to have been a fair amount of mobility of fashion at this time. A great deal of money seems to have been spent on special clothing. Frizz Shah Thought is supposed to have worn an extremely valuable Gullah cap over which a turban of fine material was tied. Four-cornered caps decorated with Jewels were also worn. Men arranged their hair into locks or ringlets and added tassels. Learned men and Judges wore long, striped gowns from Yemen. Indian Muslim society was divided into four main groups: the secular and religious nobility, the traders, the artisans, and those who worked the land. The secular nobility was divided into all-I USAF, men of the sword, or warriors, and all-I slam, men of the pen; these groups were comprised of Turks, Afghans, Arabs, and Persians who tried to remain separate from the local population, whether Hindus or earlier Muslim converts. Turks and Afghans chose their wives from households that could trace their lineages back to their ancient tribes, thus maintaining their distinctive mode of dress and lifestyle. Dress divided the people. Muslims wore tailored clothes, while Hindus wore mostly instituted garments, though Hindu men did wear Jackets, which were tied at the side opposite of that worn by Muslim men. Hindu women wore a voluminous skirt or a sari, while Muslim women wore the churchyard pajama, a tunic, and a pesewa with a veil. A man wearing the traditional dress of the nomadic people of Ketch, featuring the type of printed cloth that was exported from the area from early times. Gujarat, India, 1982. Photograph by Asleep Domain. Had become highly evolved. Variable, ornate, and Unitarian were all terms used to describe the tributary. The head cover, Dunham in Sanskrit, continued to be used in a modified form, called Odin or Danna, as did the gharry, which in the early twenty-first century is called gharry or chagrin. The Jacket, tunic, or blouse was called could, chinchilla, surpasses, Angola, and cinchona, words that are still used in efferent parts of North India. Gain sources are full of information on Indian garments used by both the clergy and the laity. The Ached Sutras, which describe rules of conduct, are rich in material. Mention is made of Jackets and quilted or draped tunics, as well as floor-length robes such as principal. The shoemaker, Pawtucket or Carmella, is mentioned as making a range of shoes. There are rules as to how often clothes are to be changed. The washing of garments is meticulously described, including hand-washing, dual; calendaring, grants (that is, stretching cloth); starching, marts; and pleating and perfuming. There are also terms for sewing implements: needle, such or sevens; and scissors, Ukrainian, karri, and kali. THE MCHUGH EMPIRE The next great change in lifestyle, thought, and administration came with the Mussels. Sahara-du-din Muhammad Baber had made five forays into India, but it was not until 1526 that he was able to defeat Sultan Abraham and reach Delhi and Agar. In the four years that followed, he laid the foundation for an empire that lasted until the coming of the colonial powers from Europe. Baber, a poet, aesthete, and adventurous warrior, never really took to India; his first act was to establish a garden, since he engaged for his homeland, the lush green valley of Ferryman. It was his grandson, Kafka the Great, who tried to understand the rich culture THE ARRIVAL OF ISLAM It was only with the incursions of Muhammad of Ghana in 997 c. E. That Indian’s isolation ended. New influences from the Afghans INDIA of the country over which he ruled and who realized the need to assimilate Hindu and Muslim culture. The Burnham, Burr’s autobiography, gives a graphic description of the emperor’s daily activities, also describing festivals and celebrations. It mentions the bestowing of robes of honor, but these are sable robes tit buttons, more suitable for the cold of Central Asia. It also mentions the presentation to Burr’s son Human of a char, possibly an elaborate Central Asian collar influenced by those worn by the Chinese. There is a further reference to the expensive hat worn by Human, known as culpa; he was also given a costly plume, which he probably wore on a cap or turban. Baber describes a toothaches, a tent or storeroom where textiles and royal clothes were kept, including while on military campaigns, thus emphasizing the importance of dress even in camp. Gunner was the dismissive term applied to clothing worn by non-Muslims. Saba’s chronicler Babul Faze recorded many of the changes introduced by the emperor in the area of court dress, including his interest in local traditions and his attempt to upgrade local skills by importing master craftsmen from many countries. These individuals were offered special grants of land, pensions, and so forth, and given Saba’s personal encouragement. He also introduced fine cotton and printed clothing as being suitable to the climate. The cheddar Jam with pointed ends is typical of the age of Kafka and is seen being worn by men in miniature paintings of the time. Women ear veils, not caps, and appear to have used fine-quality cotton and worn multiple layers of fine cloth. Kafka also renamed garments using the Hindi language. Jam (coat) became Saratoga, â€Å"covering the entire body’; izard (pants) became yard-piranha, â€Å"the 65 companion of the coat†; amanita Jacket) became tanned; fat (belt) became patgat; burqa (veil) became chitchat guppy; kulak (cap) became sis sob’s; mum-ABA (hair ribbon) became Hessian; pat (sash) became Katz; shall (shawl) became paranormal; and bazaar (shoes) became charlatan. Kafka realized that in order to intermingle the wow cultures, strong racial associations with different lifestyles had to be overcome, and the combining of Hindu and Muslim dress was one important way to do this. Babul Faze describes how the emperor took the audacity, an unlined Indian coat with a slit skirt and tied at the left, and had it made with a round skirt and tied at the right. It was typical of Kafka to alter the form of a garment that was identified with or acceptable to the Hindu community. He probably planned to make the Jam acceptable to both Hindus and Muslims, though he was also conscious of the need to prevent misunderstandings. People could be recognized at a glance by the manner in which it was tied (to the left for Hindus and to the right for Muslims). It had been compulsory during the Sultanate period, and continued to be so under the early Mussels, for local rajas, maharajah, and cards to present themselves in the dress of the ruling court. This must have caused resentment. Saba’s aggressive attempts to assimilate Hindu dress into the courtly code led to a greater sense of acceptance. A study of miniatures from his time gives some indication of the changing styles. Special items were created by the emperors themselves. Just as Kafka designed the Daschle, a pair of shawls stitched together so that there was no wrong side, Changer (reigned 1605-1627) designed a special coat known as nadir’, which he mentions in his memoirs. Persian and Central Asian influences became far less important during this period. Garcia Sat women in their traditional dress and Jewelry. Ketch, Gujarat, India, 1982. Photograph by Asleep Domain. COUNTRIES OF SOUTH ASIA affluent but effete style was that of Outdo at Locknut. Though the dress formula remained the same?lama, angora, fairish pajama?its style became a trifle exaggerated. Angoras became much wider and trailed on the ground. Women’s churchyard pajamas gave way to the fairish pajama, which was so voluminous that young pages were required to gather and carry them. The Kurt, a loose tunic made of fine cotton with rich china, white-on-white embroidery, was introduced, as was the embroidered topic, or cap, often worn at a rakish angle. The story associated with the invention of the topic is that the innumerable women in the nab’s harem could attract his attention only by creating an unusual cap. The Sherwin, a tight, calf-length coat, and cancan, a long, fitted coat for formal wear, came part of the dress of the Muslim elite. It continues to be worn in the early twenty-first century as formal wear by Hindus, Sikhs, and Muslims. Kafka having married a Hindu princess, many Hindu traditions were introduced at court. Nor Johan was known as a great designer in her own right and was responsible for a range of innovations. Toward the end of sixteenth century, the Jam was being made of cloth so diaphanous as to allow the pants worn underneath it to be seen. This was a garment for summer wear. Most Restaurants’ men, both upper- and middle-class, wore the court styles, including a variety of Jams; the most moon of these reached below the knee. Another type was almost long enough to cover the pants underneath it entirely. Sometimes the Jam had full sleeves. Most women in northern India, however, were hesitant to copy exotic dress and continued to prefer the half-sleeved bodice (chili), the ankle-length skirt (gharry), and the head scarf (Odin/Danni). The upper garment was fully embroidered at the neck and on the sleeves and the tasseled ends of the transparent Odin were decorated with pomp-pomp of wool or silk. Pomp-pomp were also found on the strings tying armlets ND bracelets and on shoes, at the ends of tassels, and they were also worn in the hair. Wives of noblemen and officials and high-ranking ladies, bewitched by the beauty of the McHugh style, adopted the Jam with flowing skirt, tight pants, and Odin. The emperor Changer, himself a painter, possessed a fine aesthetic sense. From the range of garments seen in miniatures from his reign, it is obvious that he was a fastidious dresser. He wore a colored turban with gold fringe at the top or a screech, a Jeweled, feathered turban. A pearl string encircled these turbans. His coats were invariably of brocaded silk. The paths were woven with butts, a floral pattern. The diaphanous Jam went out of fashion around 1610, thought to be unfit for public wear and used only by entertainers. During this time beards also went out of fashion; Changer followed the example of his father and ordered his courtiers to shave. Nor Johan, meanwhile, created her own dresses. The English diplomat Sir Thomas Roe was overwhelmed by the brilliance of the diamonds and pearls she wore. Dress under Shah Johan (reigned 1628-1658) became even more elegant and luxurious. The emperor’s turban had, besides the Changer’ string of pearls, a Jeweled aigrette and a further border of Jewels hanging from the sides. The turban itself was constructed from gold cloth. Shah Khan’s one surviving coat boasted extraordinary embroidery. His sash, sandbank or pat, and slippers were also lavishly decorated. Rearrange (reigned 1658-1707) was a pious Muslim as well as an active, aggressive ruler. The overly luxurious life at court had fostered a certain laxity in government, which he tried to control, curbing opulence and reining in festive celebrations. Some historians have accused him of banning music and painting and prohibiting the wearing of silk at court. He could not have done so as he himself dressed magnificently. His turban was Jeweled, his Jam was elaborately patterned, and he wore pearl bracelets, armlets, precious necklaces, Jeweled pendants, several rings, and a beautiful Jade-handled dagger, which hung from a pendant clustered with pearls. During his reign, the skirt of the Jam was widened and lengthened, and turbans became voluminous. Rearrange revived the beard but limited its size by ordering that no Muslim should wear one longer than the width of four fingers. The eighteenth century saw the disintegration of the McHugh Empire under weak rulers ho were unable to control court intrigues and unrest. Regional courts became more powerful and attracted artists, craftsmen, and traders. One court known for an COLONIAL PERIOD The Portuguese, Dutch, French, and English arrived in India to ask for trading concessions from the McHugh rulers and were overwhelmed by their grandeur and wealth. According to Sir Thomas Roe, the English presented a sorry sight with their dull clothing, lack of entourage, and meager gifts, which they were afraid to present. Even the minor Indian princes were better e How to cite Indian Overview Fashion Dress, Essays

Sweat Shops free essay sample

Sweat out the Sweatshops In the early 1800’s, the seamstress, was common figure in American cities. The seamstress was a skilled mender of clothing, a much needed but under valued member of American society. There was the seamstress and there was the dressmaker. Although the seamstress and the dressmaker had comparable skill in those days, they did not have comparable in incomes (Leibhold, 1998). Dressmakers were often hired to make entire outfits and wardrobes for the wealthy, and thus made a very good living for themselves. The seamstress earned their living by piece work. Sewing precut fabrics into garments for Southern slaves, Western miners, and New England Gentlemen (Leibhold, 1998). The wages were not enough to take care of themselves or their families. By 1880, the garment industry was rapidly expanding and immigrants began to converting small apartments into contracted sewing shops (Leibhold, 1998). These contractor shops doubled as sewing shops and living quarters for the employees. Employees were expected to work for 16 hours a day being paid pennies by the piece (Leibhold, 1998). The apartments housed 8 to 10 employees in family units, who worked, slept, and ate in the same space. Conditions were unsanitary and unsafe. Workers became sleep deprived, hungry, and dehydrated. There was no standard for personal hygiene and workers often became ill from disease under those circumstances. Contract shops were coined as sweatshops because of the conditions immigrants were expected to work in (Leibhold, 1998). By the 1940’s sweatshops were very common in America. Between 1940 and 1960, an awareness of worker rights began to take place, unions helped organize American workers to force employers to provide better working conditions. Congress passes legislation to improve working conditions and raise the American worker from the sweatshop environment to safer and more profitable circumstances (Leibhold, 1998). In the 1960’s, the United States made sweatshops illegal and required the clothing industry to provide better working environments and shorter hours and better wages to the seamstresses who worked for them. Changes in import/export laws changed, opening market opportunities in other countries. In addition, changes in the economy shifted making it favorable for garment makers to out source the garment assembly to overseas workers. Sweatshops were being set up all over the world, out of reach from the United States government, and garments were imported into the U. S. to be sold in the domestic markets. The ethical dilemma with the use of sweatshops is that they violate and exploit the individuals who have nowhere else to turn to make a living. Sweatshops, here in America and abroad, do not provide for the basic health and safety of the individuals who work in the facility. Sweatshop operators are driven by competitive greed without any thought of the basic human rights of the employees (Radin. 006). They victimize the under privileged and prey on the vulnerable. Today, sweatshops still exist in America. They almost always employ illegal alien workers who were smuggled into the United States. While local the Federal Government works to shut down existing sweatshop on domestic soil, many more are being used abroad to produce America’s latest fashions. People are still puzzled by the continued existence of sweatshops in spite of the negative press that companies have received for using sweatshops for production (Radin. 2006). One example is the use of sweatshops in Honduras to produce a line of clothing for Cathy Lee Gifford. The line was to be distributed by Wal-Mart, the largest retailer in the world (Radin. 2006). Other known brand names like Nike, Tommy Hilfiger, Gap, Levi and many more, use sweatshops to produce their clothing lines. Although the negative press has some effect on the industry, sweatshop practices are still very prevalent in the industry. Underdeveloped countries do not have laws protecting their citizens from sweatshop working conditions. Many countries welcome the arrival of any industry because it provides jobs, which is more than the governments can provide themselves. Although sweatshops are widely being censored in the U. S. by labor unions, and activists, sweatshops continue to endure in other countries largely because they receive approval and support of governments, societies and even the employees (Radin 2006). Sweatshops continue because, as harmful as it is to the vulnerable and victimized, there are very little alternatives (Radin. 2006). The result is that the ethical dilemma runs into a stalemate. The reality is, many of our garments and textiles today are still produced in sweatshop environments, and will continue to do so until companies raise their ethical awareness and find other ways to manufacture their garment inventory. In 1996, President Bill Clinton directed the Department of Labor to align the clothing industry in effort to self regulate and stop the use of sweatshops for the production of clothes (DOL, 1997). The Apparel Industry Partnership was created and an agreement was presented to President Clinton On April 14, 1997 (Radin. 2006). The agreement included a code of ethics and a plan to completely eliminate sweatshop activity in the U. S. Many companies have since published a â€Å"corporate code of responsible contracting† committing to U. S. consumers that alternatives to sweatshop production will be found and used in manufacturing. By 2004, the regulation of the health and safety was fully turned over to the Occupational Safety and Heath Association (OSHA). OSHA regulated the health and safety in all industries in the United States, however, sweatshops are still being discovered in the inside American boarders. In addition, the use of sweatshops overseas is still a regular practice among many of our fashion leaders. Sweatshops will continue to be a hot ethical topic for the next decade. As long as there is a demand for fashion clothing, the use of sweatshops will exist. In underdeveloped countries, sweatshops are often the most promising economic opportunity available (Kristof, 2009). The only way sweatshop manufacturing will cease around the world is if one of the following takes place: 1. Companies actually change the way they produce their clothing lines, 2. world organization, like International Labor Office (ILO), can put pressure on countries who allow sweatshops to exist, or 3. sweatshop employees have real alternatives to their working conditions. Unfortunately, none of these solutions are very practical. As long as there is a demand for fashion clothing, there will always be a demand for sweatshop labor to make them. References Radin, T. J. , Calkins, M. (2006). The struggle again st sweatshops: Moving toward responsible global business.

So you want to lead an orchestra Essays - Ancient Greek Theatre

So you want to lead an orchestra So You Want to Lead an Orchestra! Orchestras Pay Structure A pay structure refers to the array of pay rates for different work or skills within a single organization (McGraw-Hill, 2014, p. 69). In describing the orchestras pay structure in terms of levels, differentials and job- or person-based approach, I believe that the orchestra has a highly hierarchical pay structure, with many pay levels and large pay differentials between pay levels. It also seems to be more person-based than job-based structure (considering the lowest paid Violin II receives less than half of the pay of the highest paid Violin II). Explanation of the Structure A combination of factors will explain the given structure. Standard economic forces, i.e. supply and demand for a specific player will definitely have an effect, as will the importance of the instrument in the orchestra, as well as the amount of work that is performed (comparing for example violin and a horn). As it states in our book, the array of pay rates for different jobs, within an organization are shaped by societal, economic, organizational, and other factors (McGraw-Hill, 2014, p. 89). The individuals or musicians that have more parts in a performance, more experience, or are a lead part will most likely be paid more than others even if they play the same instrument. This also applies to the difference in pay for individuals who play different instruments. Violinist I receives more in pay than the oboist and trombonist maybe because it is a more complex instrument or for the overall performance it plays a more important part. The principal trumpet player earns more that the principal cellist and clarinetist most likely because they base their pay off of performance. This goes back to the belief of this being a person-based structure. Which gives the idea that the principal trumpet player performs better than the principal cellist and clarinetist but does not perform better than the principal viola and flute players. I believe the difference in this pay structure is based off of individual performance, amount of parts in the orchestra, and the value each person has in the overall performance. I do not feel that the relative supply versus the demand for violinists compares to the supply versus the demand for trombonists in this orchestra. The main reason I feel this way is because there is a higher demand for violinists according to the orchestra schedule in our books on page 88. The demand for a trombonist is relatively low, considering that there is only one needed for this orchestra. It may be because violins play more notes or because they are one of the first instruments that come to mind when thinking of an orchestra. Equity and Tournament Models I believe, even though an orchestra, as a team, would benefit from having egalitarian pay structure to ensure perception of fairness (equity theory) the tournament theory would better explain the highly hierarchical pay structure in place at this orchestra. Fairness is important in any organization. I think the way the structure is set up for this orchestra is a bit unfair but I do believe if I am right and it is based off of performance it will be a great motivational tool to move up in pay which is why this orchestra in my opinion is more based off of a tournament model because of competition instead of equality. Since there are several violinist positions that is a competitive position in terms of this orchestra which is why the levels of pay vary. The principal instrumentalists make more because they are usually the most experience and the lead of particular instruments. The individuals in charge of these types of organizations are usually concerned with two aspects of the compensation one, the expense side and two, as motivational tool. For employees however, the pay is a major and usually the only source of financial security, and can be seen either as an entitlement or a reward, depending on the mindset of the individual employee. Compensation program objectives are fourfold. These are specified as efficiency (improving performance as well as in terms of controlling labor costs), achieving fairness (recognizing employees contributions performance/experience/training; as well

Overcoming Speaking Anxiety When Speaking French

Overcoming Speaking Anxiety When Speaking French Shyness apart, if you feel nervous when speaking French, its probably due to a lack of confidence in your skills: you dont feel you have the grammar, vocabulary, and/or pronunciation needed in order to express yourself. The obvious solution is to improve your French, and this site is filled with resources to help you do just that. Beyond lessons and learning, however, there are other ways to increase your confidence and feel more comfortable speaking French. We All Make Mistakes First of all, you should know that most people are forgiving of mistakes in their native language.* Think about it - when a non-native speaker addresses you in English, are you really thinking what a dummy, his sentence is all out of order, and thats the wrong verb, and the less said about his pronunciation the better? Or do you try to meet him halfway, ignoring or perhaps mentally correcting mistakes in order to understand what he is working so hard to say? For most of us, its the latter, because we appreciate the effort people make to communicate. In my experience, the French much prefer that you speak to them in broken French, rather than being asked to speak to you in broken English - because theyre just as anxious about their English! So dont let fear of how you speak French stop you. Prepare Yourself If youre going to ask a question or buy a train ticket, think about what you want to say and how to say it before your turn comes. Try to anticipate what questions you might be asked and what additional information might be needed. Talk About Yourself Whether youre interested in current events, wine, or traveling around Alsace, read about those topics and make a list of the words and phrases that crop up repeatedly. And if you find that youre regularly getting pulled into discussions about tennis or movies, try to learn some of that vocabulary too. Practice Every Chance You Get Speaking French is like playing the piano or making bread - the more you do it, the more comfortable it feels and the easier it gets. Join the Alliance franà §aise, take a class, or place a classified ad to find someone to chat with regularly, even if s/he isnt fluent or native, but just another nervous French speaker like you. Even introverts can make friends - and have to if you are serious about improving your French. As you practice, youll gradually feel more comfortable and confident. Just Do It Finally, just try to relax, have fun, and remember why youre learning French in the first place. Its all about communication, so get out there and speak!

M1A2 AND M2A1 - qualitative research Essay Example | Topics and Well Written Essays - 750 words

M1A2 AND M2A1 - qualitative research - Essay Example M1A1 Identified phenomenon in the workplace that can be explored by qualitative research method and its analysis Significance of effects of stress and attitude on employees’ productivity level is one of the workplace phenomena that can be explored by a qualitative research method. Stress defines response to a physical or mental strain and is a common factor in the workplace because of the scope of people’s lives and the work environment. People combine work and private life and the strain in balancing the two, together with effects of the demands in a worker’s personal life induces stress among workers. Personal attitudes towards other employees and work processes are also common and may be influenced by emotional stability from stress among employees. These factors dictates worker’s focus, and may influence their effectiveness and efficiencies at the workplace. It is therefore important to understand employee’s states and possible effects of the we lfare on organizational processes for managerial initiatives. Understanding stress and attitude indicators among employees and the relationship between levels of stress and employee productivity can for example help in counseling employees with the aim or reducing impacts of stress and poor attitudes in an organization (McGraw Hill, n.d.). Suitability of qualitative research method for the phenomenon: Seven characteristics of a qualitative research The differences between qualitative and quantitative research methods justify the choice of qualitative approach for the proposed study. The study’s epistemological assumptions identify social perspectives in employees’ social lives and this is a characteristic of a qualitative research. The study’s purpose that seeks to understand employees’ experiences with stress and attitude towards decision making also identifies with qualitative research as opposed to quantitative research objectives of establishing relat ionships for forecasting. The type of raw data for the study, expressions regarding stress, attitude, and ability to work, is qualitative and is therefore compatible with a qualitative method. Further, the study’s emphasis on developing an understanding on association among the factors and its non-random sampling approach of a single organization also identify the research with qualitative method. The proposed data collection strategies for, interviews and observation, that allows for simultaneous analysis, and applicable quality criteria such as credibility and dependability of data also justifies the proposed study’s suitability for a qualitative study and not a quantitative one (Agrosy University, 2005). M2A1: Description of a qualitative research scenario for the phenomenon Introduction Stress has been identifies as a significant factor to employee’s productivity levels in an organization with an inverse correlation. This also suggests a negative relationshi p between poor attitude and productivity (Bashir, 2010). The knowledge of significance of stress and attitude on productivity is however not sufficient for preventive measures and further research is necessary on the significance of different stress and attitude levels and the levels’ indicators (Hancock and Szalma, 2008). This research approach to the workplace phenomenon will therefore develop a model of stress and att

Identify Mystery Liquid Essay Example | Topics and Well Written Essays - 750 words

Identify Mystery Liquid - Essay Example Handle hot beakers using beaker tongs. 2. Wear protective gear: gloves and overall. 3. be cautious while handling solutions such as drain cleaners since they are caustic. 4. Avoid eye and skin contact with the chemicals. 5. Wash out any contact with the chemicals with large quantities of water. Procedure: 1. Chop red cabbage into small pieces and place them in a 100-mL beaker and add 30 mL of distilled water. 2. Place the beaker on a hot plate, and allow the water to boil until a deep purple color appears. Using beaker tongs, carefully remove the hot beaker from the hot plate give it time to cool then transfer the red cabbage indicator to a clean beaker. 3. Place a clean microplate over a piece of white paper. Using pipets add 5 drops of lemon juice to L1; drain cleaner to L2, and Anti-freezer to L3. For each solution Use a clean pipet. 4. Draw the red cabbage indicator into a clean pipet, and to each solution L1-L3 add 5 drops of the red cabbage indicator. Stir the solutions careful ly using a stirring rod. 5. By clearly observing the three solutions, record the color changes in the data table. With reference to the color chart, record the approximate PH of every solution. Acid & Base Observations Solution color Approximate PH Inference Lemon Juice Light red 2 slightly acidic Drain Cleaner Yellow 13-14 Basic Anti-freezer Green 10.5 basic Conclusion From the above observation it very clear that the liquid found by Mr. Fischer was likely to be lemon juice and not drain cleaner or anti-freezer. Explanation Drain cleaner was found to have a PH of 13-14 which depicted a basic solution. The anti-freezer was found to have a PH of 10.5 depicting a basic solution too. Lemon juice was the only liquid found to be acidic. Lemon juice Corresponded to the liquid found in such a way that its acidic nature would corrode metals. DOCUMENT B pH OF COMMON SUBSTANCES WITH THEIR IUPAC NAMES: pH OF COMMON SUBSTANCES pH [H  3  O  +  ], M Example 0 1.0 Battery acid, 1 M sulfuri c acid 1 1 ? 10  ?2 Lemon juice 2-hydroxypropane-1,2,3-tricarboxylic acid 2 1 ? 10  ?3 Vinegar impure dilute acetic acid 3 1 ? 10  ?4 Soft drink sodium bicarbonate 4 1 ? 10  ?5 Rain water H2O 5 1 ? 10  ?6 Milk Lime calcium hydroxide 7 1 ? 10  ?8 Baking soda, sodium bicarbonate 8 1 ? 10  ?9 Washing soda, Na  2  CO  3 sodium carbonate 9 1 ? 10  ?10 Anti-freezer ethylene glycol 10 1 ? 10  ?11 Aqueous household ammonia, NH  3 11 1 ? 10  ?12 Limewater, aqueous solution of calcium hydroxide Common household chemicals (Katz 2-4) DOCUMENT C A household hazardous waste that can be identical to the liquid found in the house must have acidic properties, meaning that it may corrode metal containers and turn red cabbage indicator juice red. Corrosive substances can eat into skin and metal therefore they need to be handled with care and disposed correctly (Carboni 12). In this case we consider Vinegar which made from fermented wine, apple juice, or grain. Vinegar is ma de up of 5 percent acetic acid, thus it turns out to be mild acid. Vinegar has the capability to dissolve grease, mineral deposits, get of rid soap traces, deodorize, take out mildew or wax backlog, and refine some metals. Vinegar is able to clean stone or brick, and is used in making some carpet cleaning agents as an ingredient. Vinegar can be

Death penalty Essay Example | Topics and Well Written Essays - 2000 words

Death penalty - Essay Example Advocates consider it a fair and just punishment and neither cruel nor unusual, quite the opposite; they consider it a fair and ethical punishment. This paper discusses why society feels the need to punish along with the legal, logical, and moral implications of the death penalty. This subject is literally of life and death importance and a major barometer for establishing the collective conscience of the American culture which is behind its European cousins on this as well as other moral and ethical issues such as health care, drug laws, education and gun control. Punishment Why We Punish Historically, the justification for punishing lawbreakers has been to â€Å"avenge the crime, to protect society by imprisoning the criminal, to deter that person and other potential offenders from the commission of crimes and to obtain reparations from the offender† (Wolfgang, 1998). Throughout recorded history, this reasoning has not changed much. The four main reasons the justice system p unishes criminals can be categorized by two main rationales. One is to obtain desired results which are deterrence, protecting society and seeking compensation. The other, retribution, involves punishing for crimes committed on humanity. Retribution is simply a fancy word for revenge. The need for revenge is one of the lowest forms of human emotion, a condition that is understandable in many circumstances,  but is not a rational response to a serious situation. â€Å"To kill the person who has killed someone close to you is simply to continue the cycle of violence  which ultimately destroys the  avenger as well as the offender. That this  execution somehow give 'closure'  to a tragedy is a myth.† (Schroth, 2008) Justifying Death Those who think that vengeance is a justification for continuing the death penalty usually point out the Old Testament reference of ‘an eye for an eye.’ Aggressive behavior must be met with equally aggressive forms of punishment . Interestingly, people who quote this Biblical passage to justify their position of using the death penalty is either intentionally ignoring or never read one of the most popular quotes in the Gospels of the New Testament. Jesus recalls the ‘eye for an eye’ reference and clearly rejects the statement before asking his gathered followers to ‘turn the other cheek’ instead. On the weight of that quote alone, all Christians should be strongly against the death penalty. However, the ‘eye for an eye’ excuse is still widely employed by people today. Those who adopt this viewpoint are certainly correct when they say that using the death penalty guarantees that the convicted murderer will not kill again. Additionally, the death penalty is the ultimate preventative measure. Persons opposed to capital punishment consider all life to be sacred and should be respected. Putting a murderer in prison for life with no possibility of parole is adequate punishme nt, is less expensive and achieves the desired result of segregating the person from society, forever, the same as the death penalty. By any religious or philosophical interpretation, legalized revenge is wrong and in the end more destructive to the fabric of society and its value system than was the crime itself. The decision to impose the death sentence is more of a cultural difference than one based on religious beliefs. Christians in America are generally in favor of the death penalty while their

Biography Of Tim Burton Film Studies Essay

Biography Of Tim Burton Film Studies Essay His first job for Disney was in The Fox and the Hound (1981). This first work was brief because the studies considered the artistic profile of Burton would fit more in the conceptual art of the Black Cauldron. The Burton designs and ideas for both films were not used to not be understood by Disney. After leaving work on the Disney movie Tim Burton began to develop more personal projects, including his first two shorts, (Vincent and Frankenweenie ) the quale they had very good acceptance by the critics and the public. Also began to write and illustrate a Christmas poem, which years later would charge life, Nightmare Before Christmas. Burton befriended Julie Hickson executive and manager of creative development of Disney, Tom Wilhite, amazed by his talent decided to finance his first short film Vincent to $ 60,000. It was during this time that Burton learned and specialization in the art of stop motion, for two months along with other entertainers Burton skilled in the art, Vincent created a black and white story, based on some stories of Edgar Allan Poe. To achieve this Tim Burton enlisted the help of his favorite actor Vincent Price who gave voice to the narration of the story. The play received numerous awards in Chicago and France, still not commercialized Disney ever. In 1984, Burton created his first non-animated short film, Frankenweenie it was based on Frankestain of James Whale, the play was a childs efforts to resurrect his dog Sparky hit by a car. For this short featured actors Burton Barret Oliver, David Stern and Shelly Duval. The film received a Saturn Award nomination. However, at the end of production Disney Tim Burton decided to dismiss, holding that the short was too scary for younger audiences. It was not until 1994 after the success of future work of Burton when he began selling. 1.2.4-The consolidation of Burton as director and producer. The big venture of Pee-wee: Despite the failed working with Disney, Burtons work began to have some spread and caught the attention of some producers. Griffin Dune including that offered Burton directing a comedy called After Hours in 1985, was finally Martin Scorssese in charge of directing this movie. That same year the actor Paul Rubens Burton offered to direct a film about his famous comic character Pee-wee Herman. This work was the first Tim Burton film as director and production was a success since its initial cost 7 million dollars, box office obtained profits of more than 40 million dollars. In that same movie Tim Burton Danny Elfman asked to compose the soundtrack of the same, and so begin a director-composer collaborations more consolidated in the history of cinema. Beetlejuice: In 1988, Tim Burton took the opportunity to direct his second film, Beetlejuice was a black comedy. The film told the story of a couple that after buying a nice house with a fatal traffic accident. After discovering his tragic end the couple, now ghosts trying to make out the new tenants of the house with the help of an eccentric bioexorcist Beetlejuice. This time the film featured in the cast, Michael Keaton, Winona Ryder, Alec Bldwin, and Geena Davis. Received several awards including an Oscar for best makeup and box office earnings of 80 million dollars. Batman: A Burton was offered in 1989 the possibility of directing the first feature film from the Batman comic book character. The director accepted the job, provided they can choose the actors and film aesthetics. Burton and producers Warner Bros have been involved in numerous discussions of pre-production, as Burton wanted Michael Keaton as an actor who had worked with in Beetlejuice and the producers were thinking of a more muscular actor. Following the aesthetic of comic Burton finally got what he wanted, to use Keaton in the role of Batman and Jack Nicholson as the Joker, with the intention of attracting the public uninterested in superhero movies. The film was a success, and he got more than 400 million dollars, becoming the most successful movie of all time movies so far. Additional aesthetic mind chosen by Tim Burton for the city of Gotham City was adapted in the following comics. 1.2.5-The prodigious decade: Edward Scissorshands: In 1990, Burton wrote a new feature this would be interpreted by the idol of youth at the time that Johnny Depp would play the character of Edward, a being created by an eccentric scientist (Vincent Price, who play his last role before his death). Edward had human appearance but after the death of its creator was unfinished and had hands instead of one large scissors. Edward Scissorhands was filmed in Florida and is considered by many fans and critics of Burton as the best of his works, surely Edward Scissorhands is the work collected over the Burton aesthetic that makes a filmmaker unlike any other, either texture, color, character design or objects. Batman Returns: Although Warner Bros would not produce Edward Scissorhands, he was offered the opportunity to direct the sequel to Batman Returns, Burton accepted the condition of having full creative powers. For that film was Burton Michael Keaton again in the role of Batman, Danny DeVito in the role of the Penguin and Michelle Pfeiffer as Catwoman. The film received a lot of criticism for being too dark and not very close to children. Still get a revenue of 160 million dollars, the Warner Bros. decided not to have the services of Tim Buton upon learning that he was preparing a new dry with an aesthetic similar to that of Batman Return. So Burton decided to start preparing a new project, this time returning to its roots as an animator. Nightmare Before Christmas: Tim Burton had planned to write and illustrate a childrens story, but in 1993 just changing that story in his next film. Nightmare Before Christmas, is his great work of animation. Directed by Henry Selick, the film tells the story of Jack Skeleton, the king of Halloween, who wants to understand Christmas, adapting their habits as monarch to carry out this holiday. The film was made using Stop Motion techniques and although there was an overwhelming success at the box office, is considered a cult film and one of the best musical film ever made it. Ed Wood: In 1994, Burton made one of his lesser known films, a narrative biography of Ed Wood, considered the worst filmmaker of all time. Burton pays homage to the director (played by Johnny Depp) which considers a direct influence, for its horror and fantasy in this film involved Martin Landau, Bill Murray and Lisa Marie. Although there was much less commercial success, helped the Burton film cogiera more fans and reopen the interest in the film Ed Wood. Batman Forever: Despite its intention to conduct the next part of Batman, Warner Bros. decided it would be the director Joel Schumacher with the intention of bringing the film to children and Tim Burton would make his work as a producer. This fact caused that Michael Keaton to resign his role as protagonist, and was hired Val Kimler in place. Tim Burton aesthetic differ in many aspects of the film which was contrary. The film generated $ 335 million and Warner, hired Schumacher to fourth, where Tim Burton no longer participate. Mars Attacks!: In 1996 Tim Burton returns to direct a feature film is trying to Mars Attacks! This film is a hybrid of science fiction films of the 50th and the total destruction of the 70th went unnoticed at the box office, surely the fact first 5 months after the Independent Day, made the film to be discredited by critics and public American, but had very good reviews abroad and won many admirers in marketing in VHS and DVD. Sleepy Hollow: In 1999 Tim Burton returned to his more eccentric and supernatural world, based on a story by Washington Irving, which tells the story of the Headless Horseman. Featuring a new interpretation of Johnny Depp in the role of Forensic and Christina Ricci in the role of Karina Van Tassel. The film won an Oscar for best art direction and two BAFTA awards in the categories of Best Production Design and Best Costume. 1.2.6-Year 2000. Planet of the Apes: After his breakup with his wife Lisa Marie, Burton conducted a remake of the 1968 film of Franklin Schaffner. The film was a success, earning 68 million dollars in the first week of release. Still, the film was widely panned by critics and fans of Burton, to get away entirely from its style and dark, nihilistic style of the first version. Despite finishing with an open ending does not seem to be any intention on the part of Burton to continue the saga. Big Fish: In 2003, Burton surprised everyone again with a custom Disney, Big Fish is a film away from the dark world of Burton but that recreates an imaginary fantasy world full of surprises. The film received four nominations for Golden Globe And for many fans is the most amazing film. In this film, Burton had the interpretation of Ewan McGregor and his new wife Helena Bonham Carter. Charlie and the Chocolate Factory: Johnny Depp again which seems to be their star player, Tim Burton made this film based on a story by Roald Dahl, the film was a blockbuster hit 207 million in the U.S. alone. Characterization, and the voice of Johnny Depp in the role of Willy Wonka, was recognized in many ways as a film icon and aesthetic. 9: Tim Burton produced this animated film in 2009, the film received much criticism, even that is considered a beautiful aesthetic work, but lack of narrative. It is the first animated film that Tim Burton does not opt for the technique of stop motion and computer-created in its entirety. Alice in Wonderland: It is the latest project of Tim Burton so far, this commission from Disney, will debut in early 2010, and was the first film in which the director has used the technique of 3D. Based on the acclaimed work of Lewis Carroll, Alice in Wonderland. Was criticized by fans to move far from their darkest work I have incorporated many Disney items. 2. THE ART DIRECTION 2.1- Aspects work of Tim Burton. When talking about aspects of the work of Burton, one must be aware that is not a conventional director, his work is mostly very personal issues, issues which have been consolidated in the audience and created a large pool of supporters and fans. When one analyzes the work of Burton put on his work with his film biography, which is particularly relevant as an artist who often uses his life experience and the elements that shaped his sentimental education. Situation is examined within the context of the Hollywood industry and explores the aesthetic and thematic constants that make up its visual poetry. It addresses gender concerns, the notion of fantasy and Gothic-Expressionist tradition to understand the work of an author who re interprets the cultural tradition from the perspective of post-modern. Addresses the problems and contradictions posed by both the traditional concept of film genres as the auteur theory. It is shown that not only approaches are compatible, but can also become complementary approaches that contribute to the depth and richness of film debate. It talks about the particular generic reflection made by the filmmaker in his films, connecting with the characteristics of postmodern culture in which it is immersed. We can say that Burton has done what he wanted and how much more freedom the author has been most successful has been his work as staff is much much deeper and more spectacular. Burtons work, as well as its broad scope, it is more appropriate to consider more than a genre, a mode of art that various related forms emerge. Referred to the existing theories about the fantastic, the subversive potential and its psychoanalytic implications. It puts a special interest in his themes and myths, as they all are evoked in the Burton films. Also includes the work of the filmmaker as a continuation of a tradition Gothic Expressionism, a continuous movement whose spirit, aesthetic and vital position opposed to the rationalistic attitude of classicism. It takes a journey through the elements of a tradition that Burton has been collected mainly through its cinema events. Tim Burtons heir and successor of the romantic spirit, its atmosphere and features icon-phy, aesthetics of the uncanny, his macabre sense of humor, the denunciation of social hypocrisy and society that denies freedom and individual identity, its emphasis on subjectivity, intuition and the irrational. Tim Burton is a very detailed, very thorough in their staging, from design, photography and music composed by Danny Elfman become key elements of dramatic expression. We consider Edward Scissorshands and Nightmare before Christmas, as two of its films that include and represent all poetic and visual work of director. Since in these two films is the very essence of the author, personal visually despendedoras the full potential of California director. 2.2-Influences: As an author, Tim Burton has had his artistic influences, both film, and painting. In this section we review their main influences, and the basic characteristics of his style. Any person who enters into the imagination of Tim Burton will realize that this is not a conventional writer, with a very personal style, and all his movies are some characteristics or aesthetic and narrative patterns. 2.2.1-Pictorial influences: We can find some reminiscences to German expressionism, particularly in some perspectives, altering the scenery, the kind of light and shadow and also on the themes of his films. Some authors of the movement, as Grosz or Otto Dix. Burton is also influences the Polish poster from the mid-twentieth century. The author surreal expressionism, Paul Klee tube also great significance in the beginning of the film director, especially in making puppets for his early films like Vincent or Nightmare Before Christmas. 2.2.2-Literary Influences: Without doubt the main literary influence of Tim Burton comes from Edgar Allan Poe, American writer, is considered one of the pioneers of the short story, and the father of the renovation of the Gothic, with their tales of terror. Unlike other authors such as Roger Corman, Burton has not shot any film based on a story by Edgar Allan Poe, but it has done with other authors like Washington Irving (Sleppy Hollow), Lewis Carroll (Alice in the wonders) (Sweeney Todd) based on the musical by Stephen Sondheim or (Charlie and the Chocolate Factory) by Roald Dahl and others. 2.2.3-Cinematic influences: Roger Corman is without doubt the great influence of Burton, his films of series B, Burton served as inspiration for many other directors. Roger Corman became famous in the 60s, go to the movies by Edgar Allan Poe stories and mixing genres of science fiction, horror and the occult in low-budget films, using actors low popularity as Boris Karloff or Bela Lugosi , or with actors little known at the time as Peter Fonda Jack Nicholson or Robert De Niro. Most Corman films were performed by Vincent Price, favorite actor and close friend of Burton used frequently at the beginning of this director. See Frankenweenie, or Edward Scissorhands. Princes last film before his death in 1993. Cormans influence is mainly reflected in films like Ed Wood and Mars Attacks. In Ed Wood, Tim Burton pays homage to another series B director, Ed Wood as the worst filmmaker of all time. 2.3-Technic recourses. 2.3.1-Stop Motion. Tim Burton is without doubt one of the most renowned film directors by the use of unconventional techniques for recording of his films, one of these techniques is the Stop Motion animation technique is to generate motion by displaying static objects photographs or successive frames at a given speed, creating the illusion of movement. This incredible technique began with Ladislaw Starewicz with the short film The Cameramans Revenge in which dead insects used to tell the story of a family destroyed by infidelity. Usually use 29 frames per second, which generate the illusion of movement giving the films made with this technique a realism as close to a conventional film. This fascinating technique requires time and patience for the detailed movements of the actors to others in an acceptable knowledge of photography, so Tim Burton has always surrounded by great directors of photography, in the case of Pete Kozachik, manager the technical section in such films as The Nightmare Before Christmas or Corpse Bride. We consider that Tim Burton is one of the artists who have promoted this technique in the last two decades, and why not say is who re-discovered this technique in the new public disuse in the 90s. Due to its popularity as a director and artist has made the genre of Stop Motion animation is made a place in the film industry. Burton himself has been linked in other photographic animation projects, some of them as a producer and some others as a collaborator. This is the case of The Nightmare Before Christmas, Burtons own work, but under the direction of Henry Selick, director also of other projects under the signature of Tim Burton, and James and the Giant Peach or coral. In the future, Burton is expected to redo any work using the technique of stop motion, some rumors say they may be Dear Dead Days, Charles Addams work he did in 1937 and subsequently came to TV screens under the title Addams Family in 1964. The work of Charles Addams is surely close to the Burton films especially recalling works such as The Nightmare Before Christmas Sweeny Todd or obscure pieces, with touches of macabre humor. 2.3.2-3D Animation. Tim Burton not only traditional techniques used for the filming of his animated films, however it was not until 2009, when the California director dared with a 100% digital. 9 was the title of his first work in 3D, which was a box office bomb, and certainly his least known works, the universe of apocalyptic 9 was directed by Shane Acker and produced and supervised by Burton. This first experience will not cower and Burton in 2010, premiere Alice in Wonderland, based on Lewis Carrolls books Alice in Wonderland and Alice Through the Looking Glass, directed by Tim Burton, and produced Disney Pictures The film was a box office hit but was severely challenged by critics and fans. In interviews after the release, Burton says the 3D technique is perfect for his latest film and claims to build his next film (a remake of Frankenweenie gilt work) thinking about the qual this technology brings extra realism to the viewer, However, he admits that is not going to go crazy and will not abandon the classic film format. 3-TIM BURTONS FILM ANALYSIS I chose Edward Scissorhands and Big Fish are two of the films in my opinion more representative of the work of Burton, the first of its popularity and to represent and act out all the poetic and visual narrative that represents the California director. The second has been chosen as the authors lesser-known films by the general public, and to have markedly different aesthetic in Edward Scissorhands, Big Fish still well preserved and fantastic narrative structure that characterizes the work of Tim Burton . Another of the facts that I have been decanted from Big Fish have been the thirteen years between a film and the other, and appreciate the evolution of cinema as well as an analysis of the time they were shot, the motives that pushed Burton to record these movies and what messages the author tries to convey to the viewer in each of them. 3.1-Edward Scissorhands Synopsis: The film begins with a colloquial conversation between an elderly woman and her granddaughter, which viewed from the window as snow falls and, curious, asks her grandmother the reason it snows. So, she begins her story His story begins when a makeup saleswoman named Peg, enters a house to sell beauty products. On entering the place is with Edward, a young man who was created from a robot and was not finished after the death of its creator, running with scissors instead of hands. Touched by his kindness and innocence decided to take him home. No one in her family (her husband Bill and son Kevin) seem uncomfortable with the presence of Edward and even the neighbors are interested in the mysterious guest Peg. However, to get Kims eldest daughter, Peg, it triggers a series of problems because it does feel uncomfortable with Edward at home. Edward falls in love with her. Edward Scissorhands Technical Data: Production year: 1990 Country: United States Director: Tim Burton Production: Twentieth Century Fox Producers: Tim Burton and Denise Di Novi Executive Producer: Richard Hashimoto Associate Producer: Caroline Thompson Argument: Tim Burton and Caroline Thompson Writer: Caroline Thompson Music: Danny Elfman Director of Photography: Stefan Czapsky Art Director: Tom Duffield Scenery: Rich Heinrichs (design) and Cheryl Carasik (decoration) Costume Design: Colleen Atwood Editing: Richard Halsey Hair Design: Yolanda Toussieng Makeup: Stan Winston Special effects supervisor: Michael Wood Duration: 107 minutes Starring: Johnny Depp: Edward Winona Ryder Kim Boggs Dianne Wiest: Peg Boggs Vincent Price: Inventor Anthony Michael Hall: Jim Kathy Baker: Joyce Monroe Robert Oliveri: Kevin Boggs Conchata Ferrell: Helen Alan Arkin: Bill Boggs Caroline Aaron: Marge O-Lan Jones: Esmeralda Dick Anthony Williams Officer Allen ÂÂ   3.2-Big Fish Synopsis: Edward Bloom is a man who recounts moments of her life by adding great features. When it does at the wedding of his son Will, it stops talking for years. Will work as a journalist in Paris when his fathers health worsens, Will returns with his wife Josephine to Alabama. On the plane, Will tells one story of her father, she knew a witch who showed him how he would die by looking through his glass eye. Throughout the film, Edward has some stories to tell of moments of his life. For example, explains that as a child, he spent three years in bed due to its rapid growth. After this, he becomes a successful athlete, but I think the town where he lives is too small for their ambitions. After meeting Karl, a misunderstood giant, began a journey with him. Edward goes through a haunted forest and reaches a village where she meets a poet called Norther Winslow. Before leaving the village, he promises to Jenny, a girl he met, he would return someday. Big Fish Technical Data: Production year: 2003 Country: United States Director: Tim Burton Production: Columbia Pictures Producers: Bruce Cohen, Dan Jinks Executive Producer: Arne Schmidt Associate Producer: Katterli Framentelder Plot: Daniel Wallace Writer: John August Music: Danny Elfman Director of photography: Philippe Rousselot Art Direction: Roy Barnes, Robert Fechtmen Set Decoration: Nancy Haigh Costume Design: Colleen Atwood Editing: Chris Chamia Hair Design: Coni Address Makeup: Gloria Belz Special Effects Supervisor: Eric Allard Length: 125 minutes Starring: Ewan McGregor: Young Ed Bloom Albert Finney: Senior Ed Bloom Jessica Lange: Senior Sandra Bloom Alison Lohman: Young Sandra Bloom Billy Crudup: Will Bloom Steve Buscemi: Norther Winslow Danny DeVito: Amos Calloway Helena Bonham Carter: Jenny Young, Jenny Senior, The Witch Matthew McGrory, Karl the Giant

The Golden Rule :: social issues

The Golden Rule ‘The Golden Rule and The Greatest Good’ what can they do? It was around 4 pm that Tosin Olumito and I got to the main campus of Ahmadu Bello University Samaru, Zaria after a long journey from Ilorin, Kwara State. Our mission was to process our admission having finished the Interim Joint Matriculation board Examination of which we obtained a very good result. In Ilorin, we had been directed to a friend who was a student in the school to put us through and to offer us accommodation for timeous processing and efficient follow up of the admission but alas! The school joined the 6 months strike called by ASUU. We knew they were on strike, the news we heard was that admission had started and that they would soon called it off to join some of their colleagues who had called their student to resume without a definite announcement by ASUU, which they eventually did after a week that we got to the university. We tried and searched every nook and cranny of the university to locate the friend we were directed to until somebody nimbled us that the stude nt we were looking for had traveled. All hope shattered, we looked at each other amazingly, we were now left to carry our cross and look for a panacea to this menace. We couldn’t go to a hotel neither do we have relatives within the vicinity. Tosin has a relative in Kaduna, which is 45 minutes drive from Zaria. I alluded that she should go to Kaduna to locate her relatives, that I would find a way of harboring myself. She wanted to disagree having thought of the risk, which I would be exposed to. She insisted on knowing where I would be so that she could check the following day to inform me whether I should come also to Kaduna or not . I told her that I would not be able to afford the transport implication which could adversely affect my pocket money because I was left with a token that could last for few days apart from my fare to Ilorin. She was convinced. As luck would have it, I met and told a Hausa student our plague who introduced us to his friend – Suleiman Nuhu Bala, a final year Economics student who was at the time writing his project. Suleiman didn’t hesitate to

Influences of Language on Meaning and Perception

Language is the main communication tool which influences meaning and perception. Language can be verbal (sounds, words) and non-verbal (signs, gestures, mimic, facial expression, behavior, and physical setting, etc). Interpersonal communication includes any behavior that another person perceives and interprets. As such, it is one person's understanding of what another person means. Behavior itself is a form of communication. Interpersonal communication occurs through symbols and signs decoded by the sender and encoded by the receiver. Using language (verbal), people name and describe objects, events and processes. Clarity and precision of presentation have a great impact on meaning and perception processes. The main problem is that the receiver can ‘encode’ the information differently which influences his perception and meaning of the message (Wood, 2003). So although it is true that names must precede descriptions in the sense that they provide the atomic terms of a description, it is also true that some (possibly holophrastic) ostensive assertions must be primitive in all category naming (Guerrero 1999). Verbal communication means sending messages to another person to inform about something, to persuade people to do something, to develop positive attitudes, and to cause other changes in people's thinking and behavior. Following Russell (2000) one interpretation of perception: â€Å"focuses on attending and concentrates on surveying the environment. Another focuses on interpretation and concentrates on language and mental activity after initial contact with stimuli. Viewing perception as an attending process and as an outcome of attending can both serve well† (4) The speech sounds of a language vary in many ways. Only some of these differences signal a difference in meaning in the language. These are called â€Å"phonemic† differences. The rest of the differences are â€Å"phonetic† differences that are less salient, less readily perceived, and less easily produced than the phonemic differences. In this case, if a person has poor articulation or speech defects the receiver can encode information is a wrong way and misinterpret the meaning. It is important that every person remember that specific words may not have the same meaning and significance for different people. The choice of words and vocabulary is one type of symbol that possesses emotional and psychological properties. It is possible to say that language shapes the meaning and allows the receiver to perceive its meaning. A unique pattern of language comes to be regarded as equivalent to a unique pattern in the receiver mind. Meaning and perception depends upon experience and views of the receiver and differs in what is perceived and how information is stored, and because the nature of the mapping may differ for â€Å"different types of cross-modal linkages† (Guerrero 1999, p. 56). I suppose that my language is clearly understood because I carefully chose vocabulary and meaning of words. Active listening helps me to learn new words and understand their usage correctly. So, it is possible to say that if a person wishes to communicate effectively with other people (verbally or non-verbally), he must somehow put themselves in each other's shoes. Effective interpersonal communication requires that people have a common set of meanings and definitions. Such a common set of meanings derives not only from the language, but refers more broadly to the pattern of beliefs, codes, and feelings on the basis of which people learn to live with their environment. To enlarge my vocabulary I read a lot of printed matters: books, magazines, scientific article, etc, and use new words and phrases in practice. For instance, non-fiction writing has ideas followed by arguments, by examples, before returning to a second argument. Seeing the structure of paragraphs is to see the pattern of the argument. This technique will help me to create a clear message and communicate with different people. One more important fact is that mass media is intended to be an example of language norms: vocabulary and grammar. References 1.Guerrero, L. K. et al. (1999). The Nonverbal Communication Reader: Classic and Conteporary Readings. Waveland Press. 2.Russell, Ch. (2000). CULTURE, LANGUAGE AND BEHAVIOR: Perception. A Review of General Semantics, 57, 4. 3.Wood, J.T. (2003). Interpersonal Communications. Wadsworth Publishing.                     

Appreciation of Shakespeare’s sonnet 18

His early plays were mainly comedies and istories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. He then wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest works in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights . Shakespeare's reputation did not rise to its present heights until the nineteenth century.The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians worshipped Shakespeare with a reverence that George Bernard Shaw called â€Å"bardolatry†. In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are constantly studied, performed and reinterpreted in diverse cultural and political contexts throughout the world.His plays have been translated into ev ery major living language and are performed more often than those of any other playwright. Of Shakespeare's sonnets in the text, Sonnet 18 is one of the most moving lyric poems that I have ever read. There is great use of imagery within the sonnet. This is not to say that the rest of the poems in the ook were not good, but this to me was the best, most interesting, and most beautiful of them. Sonnet 18 Shall I compare thee toa summer's day?Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed, And every fair from fair sometime declines, By chance, or nature's changing course untrimmed: But thy eternal summer shall not fade, Nor lose possession of that fair thou ow'st, Nor shall death brag thou wand'rest in his shade,

Blacks in the Cities essays

Blacks in the Cities essays In 1910 most blacks still lived in the south. However from 1910 onwards there was a great black migration to the north. Many blacks were getting fed up of the way they were treated in the south and decided to move to the lest racist north is search of jobs in the factories in the big cities. However when they arrived they could only get the lowest paid jobs and ended up working in the factories and living in the ghettos. Once they got into the ghettos it was almost impossible to get out. They got stuck in the poverty cycle and many turned to drugs and crime. However some blacks did get good jobs and nice houses although they were a small minority. Although blacks moved to the north to escape poverty in the south it was still a very real factor in the north and living in the ghettos was a dreadful reality. The ghettos were dirty as so many people lived in them and they didnt have the means to clear up after themselves so disease could spread very easily. There was very little medical care in the ghettos so once disease had established itself there was very little way of stopping it spreading. There was poor heating in the ghettos and water and toilet facilities were shared which also helped to increase the spread of illness among people living in the ghettos. The ghettos were extremely badly built as they were the worst housing in the cities and there were many accidents in the ghettos and in the streets around them as there were no facilities for children to play in so many played in the roads and there were often young children knocked down by reckless drivers. The main cause for accidents in peoples home was unstable flooring and poor electrical connections which resulted in electric shocks. Also blacks living in the ghettos were looked upon by most whites as lower class citizens and were treated very badly and had poor facilities, such as bad schools, poor playing areas and many youngsters were pushed into drugs...

International corporate accounting Essay Example | Topics and Well Written Essays - 1000 words - 1

International corporate accounting - Essay Example In 1934 a Securities Exchange Act was formulated giving the SEC a statutory authority of setting up standards for financial accounting and reporting but this would target publicly held companies only. However, the SEC is often dependent upon the private sector in policy formulation. (Financial Accounting Standards Board’s website, 2011) On the other hand, The International Accounting Standards Board (IASB) is an independent, private-sector body based in the UK that develops, approves and promotes International Financial Reporting Standards, whose operations are directed by the International Financial Reporting Standards Foundation. It was formed in 2001 to replace the International Accounting Standards Committee which had existed since 1973 through an agreement made by professional accountancy bodies from Australia, Canada, France, Germany, Japan, Mexico, the Netherlands, the United Kingdom and Ireland, and the United States of America. Other members became part in the following years. (Deloitte IAS Plus’s website, 2011) The IFRS foundation is an independent, not-for-profit private sector organization working in the interest of the public. Its objectives are formulating a unified set of high quality and apprehensible international financial reporting standards (IFRSs) that can be enforced and will be globally accepted, promote their application, it takes into consideration the needs of emerging economies and small and medium-sized entities (SMEs) (Financial Accounting Standards Board’s website, 2011).This is achieved through the IASB for development and publishing together with overseeing their interpretation on all the sectors. In order to achieve global acceptance and adoption of the IFRSs, the IFRS foundation and the IASB involves relevant stakeholders around the world, including investors, national standard-setters, regulators, auditors, academics, and among others. According to Seyfarth (2008) by November 2008, 113 countries

Management Essay Example | Topics and Well Written Essays - 500 words - 35

Management - Essay Example Firstly, companies make bigger profits when they sell their products and services using bundled pricing strategy than selling them a la carte (as individual products or services). The causal factor in such a scenario is the attraction that a bundled package evokes to the customers. A customer will be attracted to buy a package at a fair price than buying single products or services that will result to a larger expenditure. This means that many customers will be more attracted to buy a package of products or services from a company than when the products or services are sold singly. For instance, a person wishing to spend $30 dollars on a meal comprising of chips, burgers, soda and chicken will be more attracted to a company that offers the package at that price than one which sells the individual products at a higher price. This is the explanation that sees companies using the bundled pricing strategy winning more customers than the companies that sell single products. The overall re venue for the former is always substantially higher than the latter. It is also important to understand that bundled pricing strategy gives a greater satisfaction to customers than single-product sales (Smith 219). However, companies do not base their decision to use bundled pricing strategy on customer satisfaction alone. Companies always assess the level of competition on the market so that they can come up with ways to curb it and get a fair share of profits from the sale of their products and services. In this case, companies opt to use bundled pricing strategy to make sure that they trap loyal customers as well as other people into buying their products. These companies manage to reach a larger customer base since the culture of customers is predominantly retailing goods and services at a reasonable price (Smith 235). Nevertheless, a company can use this strategy to curb competition but it still the other companies in